Isabelle Grosse's approach here extends what she was already doing with her outlining of crowds (the city streams series) namely : the observation of forms. 

Through electro, krump, and voguing—three culturally distinct urban dance vocabularies, she interrogates the rupture of corporeal limits. Her lens arrests the critical threshold where kinetic force breaches containment, where gesture becomes transgression. These portraits function less as documentation of individual performers than as visual syntax mapping resistance, identity formation, and liberatory practice. Each style carries its own gestural economy: electro's mechanical precision, krump's volatile release, voguing's architectural eloquence. Isabelle Grosse's formal rigor distills the expressive potency embedded within these vernacular forms, rendering visible the ways marginalized bodies claim space, author meaning, and articulate alternative modes of being through choreographic assertion.